iPhone ArtistryThree Days of Shooting and Processing with Dan BurkholderFeb 19-21, 2010 |
![]() © Dan Burkholder |
Lurking under the iPhone’s phone label is one of the most inspiring, capable and fun imaging systems in all of photography. More than just a snapshot device, the iPhone is a powerful creative tool for creating art, right in our palms. We now have camera, darkroom, and—as Jerry Uelsmann would say—Visual Research Laboratory, all in our shirt pocket! Liberated from rushing home to our computers, we can shoot and process our images in the field, learning what works (and doesn’t) to make our captures match our vision. And when it comes to printing your iPhone images, you will be amazed with the color, depth and texture in your prints.
Dan Burkholder has a long history of looking over the photographic horizon to see, explore and teach the next great thing in imaging. This is your opportunity to discover the power, fun and stunning output that’s possible from your iPhone!
We’ll spend time in the field and in the studio exploring all aspects of iPhone photography. It’s time to stop wondering what you can do with your iPhone and time to start making stunning prints!
Prerequisites
Participants should have a basic working knowledge of their iPhone and Photoshop.
What You Should Bring
You should bring your iPhone 3G or 3Gs to the workshop (3Gs recommended).
Here are a few things to keep in mind as your prepare:
Other Things that Can Help
Bring a notebook and lots of enthusiasm. And come well rested too!
Dan Burkholder has been teaching digital imaging workshops for 13 years at venues including The School of the Art Institute, Chicago; The Museum of Photographic Arts, San Diego; The Royal Photographic Society, Madrid, Spain; The International Center of Photography, New York; Melbourne Royal Institute of Technology, Australia, and many others. His award-winning book, Making Digital Negatives for Contact Printing, has become a standard resource in the fine-art photography community. Dan’s Color of Loss (University of Texas, 2008) documents the flooded interiors of post-Katrina New Orleans and was the first coffee table book made entirely with HDR techniques.